MAYvel 2021 (Streaming Edition); Inhumans: I can see why this couldn't even get to double digits...

 One of the main reasons I review content made for the Marvel Cinematic Universe every May is consistency. As repetitive as the movies may get, one thing that's hard to deny is the level of consistency in the quality of their content. While all the movies might not be great to watch, a bad Marvel movie is still considered better than a mediocre movie from other studios. I'd rather watch Thor: The Dark World over Venom if given the option. The same, though, can't be said for their Television content. While Wandavision and Falcon and The Winter Soldier have been great starts for them on Disney+, and there are gems in the Netflix partnership like Jessica Jones and Luke Cage, when it gets bad, it gets really bad. If you thought Iron Fist was a lousy show, allow me to introduce to you Inhumans, a show so bad I couldn't even get past the first episode out of eight. See why I did M.O.D.O.K. first?

 

First, to get some positives out of the way, I think the island shots of Hawaii are well done. For the most part, the costume design is fine, and the casting choices are solid for the roles. I also appreciate the changes made for Black Bolt; I think the use of Sign Language for him is an excellent idea. Unfortunately, though, that's pretty much where the positives end. If I were to describe my thoughts with the first episode, the episode meant to hook me in on the show's premise; it's boring. I was bored throughout the episode to the point that I would pause, change to a new tab and watch Youtube videos for a while to watch something entertaining, something lively. What doesn't help is the setting and the delivery of most lines. Attilan looks like a hodgepodge of sci-fi and the world's most boring prison in terms of architecture, thanks to it being nothing but grey building that feels like cinder-blocks with basic carvings on them for detail. At the same time, inside, it's more bland, monotone coloured rooms and hallways. As for the delivery, while the casting looks like solid representations of the characters from the comics thanks to good costume design, their direction isn't. The delivery of most lines in the script reminds me of the Star Wars prequels, along with moments of Man of Steel where it feels like the only emotion they can portray is bland stoicism. It's hard to get a reading on some scenes as a result because there was one moment when the Royal Family was having dinner, and one member tries to flirt with a waitress before going on for too long and (I think?) saying he'll kill her for some reason? Then when she walks away, he gets mad about it being his power? Was that meant to be funny? I don't even know what his power is yet!

 

However, the powers go into the most significant issue the show has. Like with Agents of S.H.I.E.L.D., Inhumans was done on a T.V. show budget, but corners were cut to make it as cheap as possible to produce. Some establishing shots look awkward going from the actual camera to full CGI. Many of the powers are limited whenever possible (to the point where they cut off Medusa's hair, taking away her power entirely for the sake of not needing to animate her hair past episode 1 poorly). Without needing to go into more detail about the characters online, the only character after 30 minutes that I could get a feel for who he is and his powers is Lockjaw, a giant (poorly rendered) CGI dog that can teleport. Though not as accurate of a comparison as it would be if I had another show to compare it to, at least in the X-Men movies, I can get the basics of most characters down within a few minutes of their introduction, or at the very least by the end of the film. Their name, their powers, their personality. I can't even tell you the terms of the main cast in this show off the top of my head because of how uninteresting they are, and I can't even begin to describe most of their powers because of how reserved they are for the sake of the budget. 

This show was green-lit was to try and improve the image of the Inhumans and have them replace the X-Men in the comic culture so that they don't need to promote characters Marvel didn't have the movie rights to. If this one episode is anything to go by, I wouldn't be surprised if people cared even less about the Inhumans after watching the show. Nothing about it feels like anyone genuinely wanted to work on the project, genuinely wanted to bring these characters to life. This show feels lifeless, soulless, brought into existence because of an awful business decision, and suffers as a result. If you can sit through more than one episode, great, good on you, but I couldn't do it. What a downer note to end on for MAYvel 2021... Loki looks interesting at least, and hopefully, this lockdown will lift so I can see Black Widow in cinemas.

MAYvel 2021 (Streaming edition); Agents of S.H.I.E.L.D: Thank you for the traumatizing image of Culson with his exposed brain begging to die Joss...

 Remember when Marvel was doing T.V. shows tied to the MCU before Disney+ happened? Oh, you thought I would do the Netflix stuff first? They're on my list; they need a month to themselves. No, this was chosen because of content coming up, both an upcoming review and a character joining the MCU that may tie into what was introduced here (however that is very unlikely). While there are seven seasons available, I'm choosing to focus on two for now, mainly because these were made for public television and, therefore, harder to binge for review. Welcome, to Agents of S.H.I.E.L.D. 

 

The primary plot for the seasons mainly revolve around Skye (who would later be known as Daisy), as she becomes an Agent of S.H.I.E.L.D. for season 1, learning from the full agents like a revived Agent Culson (back when death didn't mean anything in the MCU, just like the comics). The first season would eventually lead to a tie into Captain America: The Winter Solider, as S.H.I.E.L.D falls to Hydra and is taken back in what feels like a surprisingly short amount of time (however that could be me misremembering the Hydra take over in Winter Soldier. For season 2, the plot shifts to build up the Inhumans, thanks to a push by Isaac Perlmutter during that time which would be too long to explain here, though it is a fascinating story. While those are the big overarching plots, due to the show being made for traditional television, most of the episodes follow contained stories, with only small pieces used to build up to the finale. The show was intended to be viewed over 22 weeks, not a few days; you'll get bored trying to binge it because of how repetitive things are in the show. "A good guy turning out to be a back stabbing bad guy" is interesting in the proper context, but it gets boring when it feels like every new addition to the cast is going to backstab somebody. 

 

One thing that worked to the show's advantage in Season 1 but really did not work for Season 2 and likely onwards was the effects. The show's made on a T.V. show budget, and the effects aren't going to look as good as they do in the movies or the recent streaming shows. I've got no issue with the budget, as when it's focusing on spy stuff, the budget works. When it focuses on the Inhuman related content, though, and the more complex power sets of other heroes that come with it, it doesn't look good at all. To me, a good effect can still look cheap, but an effect that feels cheap will never look good, and none of the effects for the Inhumans look good. It's not the worst of it, though, that will come next week... maybe, I haven't seen the episodes yet when writing this, but I have heard horror stories. Spies and espionage can be done well on a small budget, not so much for superpowers. They try to somewhat cover up the shortcomings by making the powers and transformations not very drastic a lot of the time, but that makes the transformations and more effects-heavy powers stand out more. I'm not sure if it's addressed in later seasons. Still, one thing that was very questionable about this show regarding the Inhumans is an issue that's always plagued the Inhumans, the Mutants, and other similar power-based characters. The MCU's a world where the Avengers are praised. So why are the Inhumans looked down on as if they're, well, inhuman? Some with physical changes I can somewhat understand, but the ones that otherwise look and act normal?

And now, you get to have this image in your head too

 

So, why did I review this and put Fantastic 4 off for even longer? Well, curiosity. Ms Marvel, Kamala Khan, is in the comics an Inhuman (at least she was last time I checked). When writing this, unless a leak has come out that I've missed, we don't know how she'll get her powers in her upcoming Disney+ series. Considering how long Agents of S.H.I.E.L.D went on, even after the point when Joss Wheedon was taken out of the inner circle of Marvel Directors (hence why I'm only reviewing the two seasons set between the first two Avengers films). Do I think any of this will be followed up? No, but it's at least interesting to look at one of the black sheep of the MCU, even if it's only a taste for what's to come. If you want to watch it, watch one a week. Don't binge it as I did. See you next week, for Inhumans.

MAYvel 2021 (Streaming Edition); Wandavision (+1): Finally, a Scarlet Witch

Wanda Maximoff. She was experimented on by Hydra; an evil robot killed her brother, her city was destroyed by said robot who wanted to use it to destroy the world. She was the cause of the Sokovia Accords, labelled as an enhanced terrorist when her side lost a civil war and was on the run for years; she had to kill her boyfriend robot to stop a giant purple guy from completing his rock collection, then watched him be brought back to life only be killed again because the purple guy really wanted to finish his rock collection dammit! She was wiped out of existence for five years, brought back to life only to find out so much has changed... yeah, you'd be needing some therapy too after all of that. But well, there are probably better ways to do it than kidnapping a town to live out sitcom fantasies. Welcome, to Wandavision.

 

Marvel Studios does a sitcom, or rather a mash-up of every sitcom while throwing in a touch of existential horror that'll leave you asking, "what's going on?" most of the time. This is because most of the characters both in the show and in the show but also watching the show (it makes more sense in context) don't know what's going on either. Inside the town, thanks to the power of The Hex, Wanda can manipulate the town, turning it into a series of Sitcom settings based on iconic decades for the genre. The 50's with shows like the Dick Van Dyke Show, the 60's with Bewitched, the 70's with the Brady Bunch, the 80's with shows like Growing Pains and, hilariously ironic, Full House. There was an episode that was a recreation of Malcolm in the Middle. The final few episodes themed around modern fourth wall breaking sitcoms like Modern Family and The Office, an ideal time for the illusion to be shattered (which all the previous episodes had been building up too). Still, it does lead to the payoff of Wanda finally becoming the Scarlet Witch, something that only after watching the series did I notice that she had never been called that in any of the MCU movies prior. 

 
While inside The Hex, it's a traditional sitcom storey week to week, with stories changing drastically save for the underlining question about how this pocket world works. Outside the Hex is far more streamlined, focused, more Marvel like in presentation and storytelling. S.W.O.R.D., a new version of S.H.I.E.L.D., is observing the Hex, trying to figure out what's going on inside of it and what's causing it, resulting in the introduction of Monica Rambeau. She's trying to ease the situation between Wanda and her superiors in S.W.O.R.D. that view Wanda as too dangerous a threat to be left alive. Throw in witches, a philosophical battle between two Visions and what you have is a confusing roller-coaster of a story that is hard to describe without spoilers. The big issue I have with the series is that the ending feels rushed, but this is primarily because of how much there was to get through by the end of the show. While Falcon and Winter Soldier was relatively consistent and streamlined, Wandavision is more scattered in its approach. It's juggling a lot of things, and not all of them land well. But I appreciate the ambition, and though the finale wasn't as good as the show itself, that's primarily due to how good the show is. 

One thing I love about Wandavision is the attention to detail when it comes to the Sitcom settings. While Falcon was very traditional in terms of the Marvel aesthetic, Wandavision mixes it with the Sitcom aesthetics. Outside of the Hex is traditional Marvel in terms of presentation, inside The Hex fluctuates depending on the period, with the first two episodes even using the same practical effects techniques and editing tricks used for those original shows. The first episode even had a live audience. If you are curious, a documentary series on Disney+ called Marvel Studios Assembled goes into the production of both Wandavision and Falcon and the Winter Soldier. They're fascinating to watch, and I hope that it continues for future MCU projects.

 

Flawed but fun would be the best way to describe Wandavision as a whole. The ending was a letdown, but I was hooked all the way through, something many actual sitcoms don't manage to do for me partly due to the drawn-out endings. Like the previous review, Wandavision is a short, primarily sharp and mainly to the point series. The fun of sitcoms without all the fat, and some existential horror added in, fun for the whole family! For now, though, we need to take a step back. We need to rewind the clock, back to when Avengers was still new before Kevin Feige had complete control of the MCU machine, and the small screen outings were made for T.V., budget and all. Up next, Agents of S.H.I.E.L.D. Seasons 1+2.

MAYvel 2021 (Streaming Edition!); The Falcon and The Winter Soldier: And you thought Black Panther was political

 With 2020 causing all the cinemas to shut, and movie schedules are still up in the air when it comes to getting a theatrical release, the world turned to streaming services, and for this MAYvel, so will I. No movies this year, instead it's all about the shows on Disney +. Two that are directly connected to the MCU, and two that are... well, they're there... maybe... kind of waiting on Ms Marvel to see what they're doing with them. Anyway, let's look at the newest of the shows, while it might still be possible to cash in on Google's Algorithm. The Falcon and The Winter Soldier. 

 
While Wandavision (next week) was focused more on the after-effects of Endgame on a smaller scale, Wanda's reaction to what happened, Falcon and Winter Soldier focuses on the significant scale effects of Endgame. The world is a mess; refugees worldwide are without a home, thanks to all the people who disappeared after Infinity War returning and continuing as nothing had happened. Borders are returning, and because of this, a political extremist group known as the Flag Smashers is out to try and return the world to the way it was in the five years between Infinity War and Endgame. "One World, One People." What makes this group more intimidating when compared to similar organizations in the real world is that many of its members have been given a working version of the Super Soldier Serum, and have the powers of Captain America. There is one main difference, though, their physical bodies don't change in size, compared to Steve Rogers transformation in the first Captain America movie. What happens, though, in the chase to try and stop the Flag Smashers is a mix of parties with conflicting agendas. Sam and Bucky work alongside Barron Zemo (the main villain from Captain America: Civil War), which results in Wakanda sending in the Dora Milaje to recapture Zemo he killed King T'Chaka. The American Government promotes John Walker and turns him into the new Captain America, who, alongside his friend Battlestar, is trying to capture the Flag Smashers and the Serum. Zemo wants to destroy the serum. Another villain, MCU "newcomer" the Power Broker, who initially funded the creation of the new serum, wants to regain their lost property from the Flag Smashers, and that's all for the A Plot of the series. There's a lot of stuff in these six episodes. They're dense with story, and yet this mess of plot threads are held together, thanks to the B Plot. 

 

The B plot of the show focuses on Sam and his journey into becoming the new Captain America, as was Steve's intention in Endgame when Sam was given the shield. However, it isn't without its hurdles, thanks to John Walker having the shield and sinking further into madness resulting in him killing a Flag-Smasher, instead of the original intent of arresting them, in broad daylight, on international soil, with the shield. Encase that wasn't enough of a political message forced down your throat, we also learn of the darker history of the shield after Steve was frozen in the ice. These story threads are where the comparison to Black Panther is inevitably created. While that depicted a fantastic version of Africa, a city free of colonization in the form of Wakanda, this show tackles racism in America head-on to Isaiah Bradley. While his story is slightly toned down for the series, the only thing different between his comic book history and his MCU history was that he was a trial run in the comics before they gave it to Steve.

 

In contrast, here, he was already frozen, and they were trying to recreate it. While the exact specifics aren't something I can personally attest to, due to what minor differences there are between the racism of America and the racism here in Australia, this still hits hard because of the situation. The show is very respectful to the character and doesn't hold back in showing how badly black people were treated then, and even how bad black people are treated now as Sam himself interacts with racist people on screen. This series was initially meant to air in August last year, and I can't help but wonder how the previous year's events would have impacted how people view this character as the racial tension due to George Floyd's death would have only been two months old by then. 

 

The production values are surprisingly consistent, considering this was in post-production during COVID Lockdowns. It's what you'd expect from a Marvel movie. However, I will give an honourable mention to Madripoor. It's probably one of the most exciting places they've made for a Marvel production so far that doesn't lean heavily on the sci-fi aesthetic (compared to somewhere like Wakanda or Sakkar). The translation of Sam's Captain America costume from the comics to real life is also very impressive. It's a great looking costume, and I appreciate the white accents to break up the blue, compared to something like Steve's costumes from the movies, which look very monotone in retrospect. But, with how similar MCU projects are in terms of presentation (there have been 25MCU movies and two canonical shows. I think you can get a good idea as to how these things look and sound), I'll be ending the review of it here. This show was a great watch, thanks to the character interactions and how the world around the characters interacts with them. Would I recommend binging them now that all six episodes are out? No, these do feel catered to the release schedule Disney + has, that being one a week (most of the time). The show is worth a watch, though, and it's going to be interesting to see what happens next for these characters in the MCU.
 
The Mediaholics Toybox is joining in on the MAYvel fun this year with Marvel Legends reviews. For those interested in that, you can check them out at any time, with new ones going live on Sundays. In the meantime, I'll see you next week for Wandavision.

Animaniacs (2020): Just what the Hello Nurse ordered?

Yes, it has all gone mad since you went away.

 

Unless something drastic happens, such as what has happened this year, you don't really notice how much change happens in day to day life. Changes to yourself, your friends, family, the world as a whole, you become oblivious to it. So when something comes out and points out and make fun of just how much has changed in, say, 22 years, it comes as a massive shock. Considering what this year has been, it's safe to say that many could go for something comedic, something zany. And, well, who does zany better then the Warners? "They're baaaaack"

 

Disney Afternoon Marathon; Ducktales (2017): Season 3 Excluded

While a large part of the delay has been real-world stuff, it's hard to think with a phone going off every few minutes, the other reason for the delay has been to try and include the opening of Season 3 into the review as well. Unfortunately, that hasn't happened, so if you're wondering what my thoughts are on those episodes, you won't find them here. Around September 2017, I did a review of the opening few episodes of the reboot to Ducktales, something that I was really impressed with as it looked to encompass the feeling of the original show, while also modernizing it with some slice of life elements, a making some needed improvements to the cast (but to be fair, anything is an improvement over Scrooge, Launchpad, the red one, the blue one, the green one, the girl one, and the old lady). With the allure of the mystery of Della Duck, the promise of Magika DeSpell, and more including a third season that is taking as much of the Disney Afternoon as it can possibly fit (and didn't already use), this review is more of an addendum to the first. Did it keep up the momentum? Is it worth the watch now that more episodes are out and we're all killing time while we wait for the world to return to something resembling what it used to be?

Disney Afternoon Marathon; Goof Troop: Oh scrap, we're in peek 90's now!

Before getting started, I do have to make a quick announcement. Due to the state of the world right now, I've revived a Patreon account to try and ease the blow that is basically the world shutting down due to the Coronavirus. It has affected me pretty hard, due to my main work being Events Operations, so if you do enjoy the work that I do (which should be coming out more consistently due to all the extra free time I have), and you are in a position where you can help, please support me on Patreon (https://www.patreon.com/mediaholics), and hopefully, the state of the world isn't like this for too long. If you start seeing an influx of older toys, older shows, movies, games, etc in the coming months from both sites, this is the reason why. Anyway...

 When things weren't all about dark, edgy, moody, and all the depressing tropes of the '90s, they were about "Kewl" (I cannot believe Grammarly didn't want to autocorrect that to Cool) kids and their dorky parents, with all the companies trying to stay relevant by catering to the kids wanting to be hip and radical. Disney, was no exception to this, and while there are other examples of the Disney Afternoon trying to do that (Quack Pack), there is only so much '90's I can take in one shot, so we're looking at Goof Troop.

Compared to the other shows reviewed for this marathon, Goof Troop is more of a slice of life comedy. No big villains, no saving the world, heck the first episode is just about Goofy and his son Max moving to a new house. The thing is though that taking Goofy and Pete, and giving them a supporting cast that is designed to play off of their personalities, it's going to lead to many comedic, borderline chaotic situations. Even something as mundane as studying for a test has a comedic edge to it, albeit in a cruel way, as Pete's aggressive parenting that takes all the tropes of what a child thinks of an overbearing parent and drastically amplifies it, combined with Max's drastic tutoring technique traumatizes Pete's oldest child P.J and makes him afraid of chocolate bars and eggs. It's just a delight to see and watch, similar to the Loony Toons when WB tried to put them into a more domesticated setting.

A part of what makes this work so well is the writing and the comedic timing. As much as a groan at the Slice of life shows made by Disney, focusing on the child while the parents are either embarrassing and overbearing, the jokes help sell this for me. One of the ones that sold the show for me was when Goofy was telling Max that he doesn't need to fish in the sink anymore, something I was confused about as their caravan looked to be near a lake. Turns out that was a fake background hung between two buildings. That's just amazing in terms of stupidity.

Visually, I'm not a fan of this. The backgrounds and character designs look really ugly when compared to almost every other cartoon I've seen (not Flash animation bad, but certainly bad by a lot of). But that being said, the character movements are great, and fun to watch, like all the budget, went into them, which I'm not against, but it's a shame that the backgrounds were this badly hit, at least early on in the season. Compared to the other Disney Afternoon shows I've watched though, the lack of quality in the backgrounds is really jarring, even if it's only a minor thing in the grand scheme of things in order to make the character animations better.

I guess my expectations were low for this one, due to previous experience with Disney's (or rather Disney Channel's) Slice of Life shows, but I really enjoyed this one. It's a SoL that still remembers it's a cartoon and mixes the comedy that comes with it into the stories. While we're all stuck inside anyway, it's worth a watch, and is a nice way to cap off the Disney Afternoon Marathon for the site... well, at least the shows that aired in the Disney Afternoon, because I have one more show to review.

Disney Afternoon Marathon; Talespin: Ok, who got into the Disney Coke supply again?

Honestly, that's the best way I can describe this show's pitch. Why? How else do you describe the logical thinking behind taking characters from The Jungle Book, and making a show all about the cargo delivery service? I know I haven't seen the animated Jungle Book in around 2 decades, but to my knowledge, Baloo wasn't a pilot.

I mean, in terms of execution, it's fine for a slice of life show, but aside from questioning how it came to be, that's unfortunatenly not the only issue the show has. With the exception of Shere Kahn and the new Sky Pirates, I wasn't a fan of the cast as a whole, especially Molly. Normally I base these reviews on early episodes, giving somewhere between 5 and 10 episodes to get a feel on how the show gets going. I won't lie, after the episode with Kit as Molly's babysitter, I started skipping over any episode that had Molly in the title. It's rare that I hate a character that much in that little time, but after that episode, she just constantly came off as "Ok, you're going to be the little, little kid stereotype. That's all you're going to be, moving on". What doesn't help at all is that after seeing Gossolin in Darkwing Duck, a kid character done right in my opinion, and the fact that the other kid character, Kit, doesn't really cancel out the problems I have with Molly, as he comes off more as someone who's just there for the ride.

Another issue I have is that it felt like a lot of the episode premises and gags rely on a lack of information, or just Baloo being a jerk to those around him. Though he has his moments when he's pulling off something clever, I don't get the same thrill from it compared to if I was watching something like Recess (better saved for another review as I don't recall reviewing it yet?). It makes the show hard to watch for me, because while the animation and score is nice (it's hard to find faults in the animation in a show made by a company founded on pushing animation as a cinematic art). It's just hard to find things in the show that I like, or feel like they're connected to the source. Everything feels like it was in a rush, to try and justify making a show about their (at the time, I'm not sure about nowadays) most financially successful movies. Hopefully fresh blood, and a new setting helps show the positives of the cast when the new season of Ducktales starts airing in April? This just makes me glad that I'm not coving some of the less favorable shows in this marathon. See you next week for Chip and Dale: Rescue Rangers I guess....

Disney Afternoon Marathon; Darkwing Duck: Back when parodying superheroes was more unique

Computer: Functional again. Wi-Fi: About as stable as my network currently gets (hopefully being fixed soon?). Country: Looks like it's still on fire but it's back to being manageable. Ankle's healed, writer's block is gone, I think it's finally time to review content again!... About bloody time...

With the Ducktales Reboot teasing at the cast expanding greatly for the upcoming season, drawing more inspiration from the cartoons that ran in the same programming block that the original show aired in, I thought it might be fitting to review some of those older cartoons, especially now that it's very easy to view them. Yeah my first review of actual Disney+ content is a bunch of cartoons from the '80s-'90s and not The Mandalorian (maybe May 4th). While I could start off with something like Gummy Bears, I figure it would be fitting to start with the show refferenced the most in the Reboot, even bringing in the newest incarnation of the terror that flaps in the night, Darkwing Duck.

In a general sense, Darkwing Duck is a villain of the week superhero parody. Imagine if Will Arnet's Batman was in his own TV show basically, and you have Darkwing Duck in a nutshell. It works for a general set up, but if you're expecting something deeper then that, you're better off looking somewhere else.  Though the villains can be hit and miss at times, what works well in the show is the way the characters play off each other, something that helps bring out the best in Superhero parodies. The perfect example of this being DW and Gosalyn. Those two work off of each other perfectly, and are probably the best Parent/ Child relationship that I've seen when it comes to Disney... though considering most of my experience comes from their live-action tweenage girl shows that my sister was watching, that might not be saying much...

Due to Darkwing clearly drawing inspiration from Batman, I can't help but compare the show to Batman the Animated Series, and in terms of animation, I don't think DW matches it. Though it still looks nice, and actions have a clear weight to them in the animation and sound design, the darker colours of Batman TAS makes the action scenes look more exciting and interesting. Darkwing's animating gives off more of a Looney Toons vibe, which helps make it distinct, but again, I don't think it is a favourable comparison for DW, as the Loony Toons do it a lot better. Does this mean that I hate the animation in DW? No, I think it looks good and works for the show itself. But coming from someone who saw the show when he's 24? I can't help but compare it to works I've seen before it and works that I think do it better.

Is Darkwing Duck a bad show? No, not at all, I can see why it has it's fans, and it's something I'll probably revisit at some point. The biggest problem I have with it is my own personal baggage, the past experiences I have with shows like it. Is it a Disney+ seller? No, not a hope in hell mostly because the Darkwing Duck fans probably already have the DVD's of the show (if they even exist). But it's still a good show, one at least worth experiencing. Up next on the marathon, one of the more... out there pitches that got turned into a show, Tailspin.

Fillmore!: Seriously, what doesn't this school have?

Well, aside from an interesting name. X? Really?

With Disney Plus on the looming horizon, I cannot help but wonder how big the back catalogue of content will be on the site. What gets to be there? What gets cut? Will the "Disney Vault" be opened completely, all the old content released? Or will some things be destined to never be seen again? Well, it is probably safe to say we will never see Song of the South again, but in terms of their shows, that is a tricky one. As with their animated movies, many of Disney's animated shows are still held up with a lot of praise, to the point where many view the live action reimagining’s they have been doing as a disservice to the original shows. Need I say more than that Kim Possible movie they recently aired? After the announcement that Ducktales 2017 is going to become the home of the Disney Afternoon reboots, I figured I would look into some of the animated shows of theirs I grew up with, back when Disney Channel was doing something other than setting up Tween pop-stars for a life of disaster. I've got one planned that has a larger fan base, but for now I want to tackle something more niece, back when a show could star a black guy and a girl and not be called SJW Propaganda. This is Fillmore! (Yes, the exclamation point is in the title, will not be using it for the rest of this review though).

MAYvel Phase 2; The Avengers: Earth's Mightiest Heroes: The darker side of the MCU

While it's hard to argue against Marvel's dominance at the box office thanks to the success of the Marvel Cinematic Universe, X-Men movies and the original Spider-Man trilogy, their endeavours into the small screen have been... mixed at best. While there have been standouts, it's hard to compare those standouts favourably when compared to the competition like Batman the Animated Series, and this is just me comparing the cartoons. However, there was one that many consider equal to the likes of Justice League, and the DC Animated universe, though the problem was a restructure of the plan, to bring the shows more in line with the MCU.

Opening Impressions: Transformers Cyberverse

Wednesday, April 12th, 2017. The last Opening Impressions post I did (not counting Beast Machines) that used the tag Opening Impressions... wow it's been a while since I've done one of these, and this is assuming I haven't forgotten to put the right tags in some posts which is very likely that I have. I need to take a break from traditional anime for a bit though, so I figured why not wash away Sailor Moon with some giant robots? But what is there to do? The Japanese exclusives? Those are best saved for a marathon especially because that would defeat the point of trying to get away from anime for a while. The games? Hoping to get to War for Cybertron and Fall of Cybertron next year. Prime Wars Trilogy? Anything I could say on those has probably already been said. There's not much for me to add to that discussion. I wasn't a fan of it, even though I saw all three. I really wish that Mark Hamil's first role as a Transformer wasn't in those shows because I would have loved to see it in something with a higher production value. No... what I need is something new, something that discussions are still ongoing about, something like Cyberverse.

As per usual with these posts, while I try to make the official reviews more formal, these posts I let be more casual, bring in theories and the like. There will still be formal elements, but I can't make any concrete judgements on a show that hasn't even finished the first season yet.

Sailor Moon Marathon; Sailor Moon S (Cloverway Dub): I can't decide, should this be a Monty Python joke or Indiana Jones joke?

Mercury, Venus, Earth, Mars, Ceres, Jupiter, Saturn, Uranus, Neptune, Pluto, Makemake, Eris. Not counting moons and the sun, these are all the planets in our Solar system. I would include the moons here, but there are 194 formations scientists consider Natural Satellites in our Solar System. Many of these have connections to other factors of our lives in some form, from the five elements of Chinese astrology, depictions of alchemy, star signs of numerous cultures, I could go on but honestly nothing I could add here in regards to Saturn's death powers could top the number 1 reason why people remember this season. Welcome, to Sailor Moon S.

Ok, first things first, the new intro. This gives off the impression of this being a rush job in the dubbing process (wouldn't be surprised to be honest). It is the Japanese intro, using the English theme which doesn't match the new intros in terms of lyrics. I can't talk for the Japanese one though as while they use the same song, the lyrics are different between Japan and the West.

TMNT Marathon: Teenage Mutant Ninja Turtles 2012: The fandom must REALLY hate Venus

I'll explain that point later.

And so we come to the end of January, and the end of the TMNT marathon, while thankfully avoiding the Bay turtles for now. However, something tells me I might not be able to do that next time I try and tackle this franchise. We've gone to the 80's, we've seen the 2000's grit, and now we come to a point in time where the ones who own the franchise is... the house of the annoying sponge. I'm honestly kinda surprised it took this long to get back to Nickalodian, and that my next review of theirs wasn't going to be Spongebob Squarepants. But alas, t'was not meant to be, and the sponge's time is not today. Join with me as we go back to the sewers of New York one last time (for now) as we tackle the 2012 reboot of the Turtles.

TMNT Marathon: Teenage Mutant Ninja Turtles (2003): Ow, the edge

Gritty, realistic, anime like in style. Three things you wouldn't associate with something like Teenage Mutant Ninja Turtles would you? An argument could be made on those first two and the movies, but that would depend on if a Michael Bay movie matches the description of the word "realistic". I will give him this, his version of realistic is better than some video game definitions. From the late 80's to the early 2000's, allow me to look back at the series that got me into the Turtles originally with Teenage Mutant Ninja Turtles 2003... and here I thought Transformers was bad with reusing the name "Robots in Disguise".

To get into some backstory here, while I once owned these episodes as a child, I have not seen them since watching next weeks review subject when it was in cinemas. While vague memories did clear up, they were vague enough for me to basically be going into these blind.

TMNT Marathon: Teenage Mutant Ninja Turtles (1987): Yikes, this has not aged well

And already from that title, some will see it as going from insulting one original generation of fans to another. Well, let's just hope that some will actually let me explain myself. The Teenage Mutant Ninja Turtles, something that continues to linger around in pop culture, and one that will try everything it can to get your money, even if it makes absolutely no sense for it too. No joke, I've seen TMNT Transformers, and some of those old toy commercials for them make you go "what were they smoking when they designed that?". I won't lie, I was into the Turtles as a kid, not from this series, but from the next one in the Marathon because funnily enough, in research for this marathon, there haven't actually been many different TV shows, just that those shows last a really long time. With the turtles joining the roster in Injustice 2 soon, let's see how they've faired over the years, starting with the original series. And before anyone asks, no, I'm not reviewing the Bay Movies in this marathon.

CNtober; Ben 10: No this is not the reboot, put the pitchforks down

Before anyone asks, no I have not seen the reboot.

How's this for a story idea. A grandfather and his grandchildren are on a trip around America for summer vacation. The grandson has a special alien watch that can temporarily change his DNA to other alien species, the granddaughter is learning magic from a spell book stolen from two evil magicians, and the grandfather is a member of a secret army (of sorts), knows a lot about alien weapons, and is always packing heat when it comes to weekly dangers from aliens, mutants, magicians and more, wanting the watch stuck on the grandson's arm. Would you watch that show? Well I did growing up, and now I'm going to review it because its something I've been meaning to for quite some time now, and so I'm going to use this marathon as an excuse to talk about it.

CNtober: G.I Joe; A Real American Hero: Is there anyone here actually called Joe?

I'm back! I'm rested, hardware's not fixed, but hey, it can be worked around. And with me, we bring a marathon. With at least one exception coming this Sunday (because I hate myself), all the reviews this month have been aired on Cartoon Network during one of its many eras. Why? Because neither of us thought they'd do anything to celebrate other then more Teen Titans Go. Both myself and Marissa have a review a week planned out for this month, with both of us looking at one show per era. For this week, let's start off with the era where it all began, the point in time when Cartoon Network first launched, and all they had were the rights to other cartoons, development on original content hadn't started yet. Now while this might not have been one of the staples of that era, I feel the Hanna-Barbera cartoons are something best left for another day. So before jumping to another overly militarized bit of US entertainment, let's jump back to a time when a militarized show could be aired and not be called a racist show. G.I Joe: A real American Hero.

To get one thing out of the way first, these are some of the weirdest armies I have ever seen.

The plot for the show can be summed up pretty quickly. G.I Joe are the good guys, Cobra are the bad guys. The plot overall revolves around Cobra wanting to concur the world with some sort of super weapon, and its up to G.I Joe to stop them. Remember, this is the time period for cartoons where the priority wasn't making quality entertainment, it was selling more toys... the original time at least, even though that trend never really died... Point being, the story is pretty basic overall with plot really coming from the episode to episode story, there's no real continuity except for multipart episodes (which the show opens with two 5 part specials). Best thing I can compare it to is Generation One Transformers, where the overarching story wasn't a thing overall.

Another strong comparison to Generation One Transformers is in the characters and technology, as stories had to revolve around selling toys. But that's kinda where that "weirdest armies" line from before comes from. Granted, I'm assuming the hardware is faithful to the toys, but the military equipment for both the Joes and Cobra look really stupid seeing as they're supposed to be "realistic"  (kinda) for the time, in terms of the show. The vehicles do however have a level of charm to them, and look like they're animated versions of the toys, including cockpit windows being the point of entry for the pilots, and tanks with exposed drivers. As for the characters... you know how most depictions of armies have one or two key figures and then the rest are nameless grunts? Well while that's more of an issue for the Cobra grunts, it seems like they tried to give personalities to all of the Joes and... who uses spears and a crossbow in a modern day army? Who names themselves (I hope it wasn't there parents) Sergent Slaughter, Shipwrecked, Spirit, ect. Granted those names sound awesome, but its where I'd kinda like the setting to be more futuristic then modern day, separate it a bit more.

I think the constant comparisons to Transformers Generation One is actually the main reason why I find myself really liking the show. Animation and soundtrack is similar to G1 Transformers, and the stupidity of some of the plots have a weird charm to them. Is it good? No, there are genuine flaws here which will boil down to "Can you accept a cartoon that exists to sell toys?" If you can and you're looking for a show that's 100% army themed without making it depressing or realistic, then you'll like the show. If not though, then trust me, stay away. You'll save yourself a headache. From one army glorifier to the next. Come Sunday... ugh... I'll be tackling Transformers: The Last Knight.

Mediaholics Cinema: Ducktales 2017

Woo-hoo

Transformers Marathon II; Robots in Disguise 2015: They really should stop using that subtitle

Whereas Transformers Prime was a combination of Animated and Bayformers, Robots in Disguise 2015, its direct sequel, was a combination of Prime and Rescue Bots (next week). Doing this one early as I have been keeping up with RID 2015, so unlike Rescue Bots, it’s the perfect thing to review while I’m at the Tech Games Fest during this week. So with that out of the way…